CRASHED EMOTIONS
Exhibitiion from 30. november to 15. decemeber 2018, galary Artbits, Vienna 1070

Description Hochen Bichler:

Large format digital fine art prints show the waste of emotions that comes along with the creation of hopes, wishes, dreams and desires for objects.
Progress and prosperity were the results of the biggest invention of an object in the 20th century, the car and its engine. Automobility was provided. For me car wrecks stand for pollution and exploitation of our planet caused by the excessive use of engines in general and vehicles in particular. This big invention also means a major threat to mankind.
By using abstract black & white pictures of these wrecks I intend to create images of destruction. But I want to raise them to sculptures of beauty and expression. I want to inject them the possibility of showing up again after being in the hideout to manifest possible consequences of this destruction.
Rare objects show the deep impact for all subjects.


Text Arno Böhler (Philosopher):

Something happened.
Something promising.
Something, that fed our appetites.
One was enchanted and amused by an object,
dreamt of it, desired it, longed for it.
But finally, something went wrong.
A promise failed.
It was driven against a wall.
Crashed, smashed, hit.
Like a car, after an accident.

Hochen Bichler’s photo exhibition Crashed Emotions shows us the remains of a series of cars after an accident, in which our collective dreams of auto-mobility have wrecked. One is confronted with cold metallic steel sculptures, testifying in black and white the aftermath of a nightmare. “Release the energy”, says one of the photos sarcastically. As if an obscene temptation would operate behind the scene that forcefully calls us to drive ourselves toward a death end: “It was my pleasure” – “So exciting” – “Ultimate speeding machine”. The slogans on the photos read like commercials. They tempt to please us. As if a pleasure-principle would operate in the middle of our death-drives: “Put yourself at risk! You will enjoy it. Temptation matters…”

Hochen Bichler’s photos are strongly ambiguous precisely because of their superficial beauty and perfect cleanness. One sees no blood, no death body, no curious people watching a disaster. One rather sees highly aesthetical metallic objects, rearranged from the remains of car-crashes. The dream of our human race to constantly increase our velocity has obviously failed. What survives the crash is inorganic waste, combined with crashed emotions. The metallic sculptures, which outlive their creators, stare at us from an alien post-human future that appears after the crash.

Looking at the photos Crashed Emotions confronts us with a possible time-after scenario, after the apocalyptic event has taken place already. The objects there look like aliens. Some of them possess antennas, some remember us to machine like insects. Though they are relicts of human productivity, no humans are visible anymore. The time of the Anthropocene seems to have passed away. The remaining relicts nevertheless show that there were humans.


So exciting

Mazda Premacy, 2018, Austria
Medium: Fine Art Print
Format: 53 x 80 cm
Edition: 6 + II, signed and numbered

So exciting

Release the energy

Audi A6, 2017, Austria.
Medium: Fine Art Print
Format: 80 x 53 cm
Edition: 6 + II, signed and numbered

Release the energy

Unlike anything

Mercedes C-Class, 2018, Austria.
Medium: Fine Art Print
Format: 80 x 53 cm
Edition: 6 + II, signed and numbered

Unlike anything

Ultimate speeding machine

Opel Astra, 2018, Austria.
Medium: Ffine Art Print
Format: 53 x 80 cm
Edition: 6 + II, signed and numbered

Ultimate speeding machine

It was my pleasure

BMW 3 Series, 2018, Austria
Medium: Fine Art Print
Format: 53 x 80 cm
Edition: 6 + II, signed and numbered

It was my pleasure